Our short video on using the Bias Tape Tool will show you how to make your own bias tape, but do you know how to join your fabric to create the bias strips? This video will show you how.
~© ASG; Sheryl Belson, Plano Chapter
Our short video on using the Bias Tape Tool will show you how to make your own bias tape, but do you know how to join your fabric to create the bias strips? This video will show you how.
~© ASG; Sheryl Belson, Plano Chapter
There are basically two types of tailoring: traditional work with tedious hand stitching or fusible tailoring where you let technology do the “stitching” for you. While the former is worthy of the effort, most first-time tailoring adventures are successfully done with fusible techniques.
~Linda Griepentrog
Linda is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and two dogs, Yohnuh and Abby. Contact her at .
We all have a stash of projects in drawers, on shelves and in containers that have been started but never quite crossed the finish line. ASG member, Hope Wright, had a stash of UFO’s and a plan and now she’s sharing her tips and hints on how an online challenge in 2011 inspired her to finish an unprecedented 926 projects. (Yes, 926!)
Here’s Hope’s story…
I first started in 2011 during a challenge from an on-line group. Attempting to use only “from my stash,” I first gathered all the projects I had already started in to one place. I then sorted them by estimating how long it would take to finish each project. The first group were projects that would take just an hour to finish. Next came projects that could be done in an evening after work. Finally, projects I could do on a Saturday.
By using this system, I have completed 926 projects to date. I do add projects to my stash, but I try very hard to finish everything I think I can complete in an evening or on a Saturday morning. Longer projects still await!
Organize your kits, stash and tools in some way that makes sense to you, or at least gather them together so you can find them. For me, I have most of my tools and gadgets in a bookcase in my sewing room.
Try organizing your projects by type of material, where to work, time it will take to complete, color, expense, etc. Group projects that are repetitive. For example, cut out several projects in one session and make your own kits.
Get rid of anything you have no desire or need to finish. Take that group and consider if someone else may want it for their UFO stash. I’ve given several boxes of supplies to a school art program. Remember, it’s also okay to just put it in the trash!
An important function for me is that I always actively work on 3 projects at any one time, with 3 to 9 more in line so I never have “down” time. Everything else remains stored away; anything more than 12 is simply too overwhelming. My active projects are categorized by where I can do them:
I work on anything with a deadline first, even if I have a lot of time. It is much better to finish something six months early than a day late. Between all my clubs and church, I do a dozen or more programs and deadline projects during a year. I put them first on my “to do” list on January 1 and indicate the deadline.
Finally, I also look at promises already made before I agree to do something more. I try to finish Christmas gifts before Thanksgiving week so I can enjoy holiday parties. Since most groups have their programs planned a year at a time, I know I will start working in December on programs for the coming year. I will seldom start anything else until they are done. Find what works for you to take those UFO’s off your radar!
~© Hope Wright, ASG Member
Much as we love sewing, things don’t always go as planned. Sometimes an accident happens in the process from cutting to finishing, or even at the first wearing. Rather than using any of ‘those’ words, it’s a lot more fun to try to figure out a creative solution to the problem that looks like it was intentional. Let’s look at three of those possible occurrences:
We’ve all done it, thinking we can outsmart the pattern company requirements. Maybe we’re trying to use up fabric in our stashes, but somehow there’s not quite enough. Two creative solutions are pattern mixing and color blocking. Instead of cutting all the garment pieces from the same fabric, mix them up for fun.
Make it seem like there was a plan for your artsy touch. Look for prints in similar colors and/or motifs. Fabric manufacturers often make coordinated groupings that are made to go together. Choose fabrics with similar motifs—for example, garden or flower prints. Select prints of similar scale and contrasts. Solids are always a good go-to tie-together—pick a color found in the print(s) or go with one directly across the color wheel for a bolder look. Just remember when cutting, you’ll need a left and right half to the garment and it’s easy to forget to flip the pattern piece over.
Let’s just say you accidentally cut a hole in your garment while trimming a seam allowance. Who hasn’t done that at some point in their sewing life? The creative solution: Add something to cover it—like a tab. But before you do, stabilize the erroneously cut edges by ironing a piece of fusible interfacing on the wrong side of the snip to hold the edges together and keep them from fraying. No one will be the wiser to your solution.
It never fails, the first time your grandchild wears a garment you’ve painstakingly made, they spill something on the front of it and voilà—permanent stains, despite your best efforts. A fun solution: Use embroidered patches to cover the stains and add some fun. Embroider them yourself or purchase them from the notions wall at your favorite fabric store. Use invisible thread and sew around the edges and listen as people say, “Isn’t that a cute shirt? I love the patches.” We’ll never tell.
So, when something doesn’t quite go as planned, take a deep breath, don’t panic and find a sewing friend to help you come up with a creative resolution. Sometimes the solution is more fun than the original plan.
~Linda Griepentrog
Linda is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and two dogs, Yohnuh and Abby. Contact her at .
Button and buttonhole placements can sometimes be confusing. If the button and buttonhole are placed incorrectly, the garment may be too tight, too loose, or create gaping. The number of buttons on the garment is suggested on your pattern envelope, but it’s up to your personal preference or need. A good guide to start placing your buttons vertically is to keep in mind your body’s pressure points. Pressure points are where your body may put strain on the garment and may be your bust, belly, or even the the hip if you are making a button front dress or skirt.
Once you have identified your pressure point(s), mark these on your muslin or sloper (block) pattern for future reference.
Now that you have the button position, you need to determine if you want vertical or horizontal buttonholes. Horizontal buttonholes will need a facing deep enough to fit the entire length of the buttonhole. I have seen some patterns where the facing is too narrow for horizontal buttonholes. Vertical buttonholes allow for button play. This means if the button is not set exactly in the measured spot, there is room for the button to move up and down within the hole.
The distance between center front and the finished edge of your garment is generally 5/8”. This is okay if your button is 7/8” or smaller. If the button is larger, you will need to extend the distance from CF to the finished edge of your garment.
To figure out what size buttonhole to use, some machines have a button hole foot that the button sits on the back carriage and the machine will make a buttonhole to that size. Or you have a machine that is computerized and you can adjust for your button size. The general rule of thumb is, the buttonhole needs to be 1/8” bigger than the button, for ease of going through the hole.
When making a vertical buttonhole, the button and buttonhole will be placed exactly at center front. In the case of horizontal buttonholes, the button is set at center front, but the hole is started 1/8” away from center, toward the finished edge. If your garment needs a button at the top edge, I start at 5/8” down for the button placement, but you can decide how far down, depending on the width of your button. But never start a buttonhole higher than ¼” below the neck edge.
Something that I do for jackets, especially for horizontal buttonholes, is to set all the buttonholes along the edge of your fabric BEFORE cutting out the front body. This allows for checking the placement without chancing ruining the garment and works best for bound button holes because the inside opening is usually hand finished.
~© Annalisa T, Alameda County Chapter
American Sewing Guild
National Headquarters
9660 Hillcroft, Suite 230
Houston TX 77096
713-729-3000 | 713-721-9230 Fax
www.ASG.org