Fabric grain refers to the direction in which the threads run. It’s important for the lengthwise and crosswise threads to meet at right angles, or the project will twist or hang crooked. Do you understand fabric grain, why it is important and how to work with it? This video will tell you everything you need to know to begin building your understanding.
How to Sew Bias Strips Together
Our short video on using the Bias Tape Tool will show you how to make your own bias tape, but do you know how to join your fabric to create the bias strips? This video will show you how.
~© ASG; Sheryl Belson, Plano Chapter
Tailoring Tricks, Part 1
So, you want to tailor a coat or jacket, but you’re not sure what that involves, but willing to take the leap.
There are basically two types of tailoring: traditional work with tedious hand stitching or fusible tailoring where you let technology do the “stitching” for you. While the former is worthy of the effort, most first-time tailoring adventures are successfully done with fusible techniques.
Choose Wisely!
Wool or a wool blend is the best choice for a tailored garment, as it’s easily shaped with steam and good pressing techniques. Preshrink your wool selection prior to sewing—easily done by asking your dry cleaner to steam press it for you, though some wools are washable, so check the label first.
- Select quality interfacings. A woven hair canvas type is ideal for jacket or coat lapels and collars, and to stabilize some hem edges. Different weights are available to match up with the fabric weight, and it’s available in fusible for a quick application. It’s also available in sew-in if you prefer to hand stitch. Preshrink the interfacing by soaking in warm water for 30 minutes and lying flat to dry.
- Lining helps tailored garments hold their shape during repeated wearings, and it covers up the inside construction detailing. A satin-finish lining makes it easy to get the garment on and off over sweaters or other garments.
- Look for great fasteners for your tailored garment—beautiful buttons, fun snaps or hooks are ideal choices. Make your selection before starting the garment as it affects the closure construction, like the size of buttonholes or reinforcement needed for novelty closures.
- In addition to conventional thread for construction of your project, you may want to select a heavier weight for topstitching, either in a matching color or contrast, depending on the desired look.
Pattern Picks
- All major and many independent companies offer patterns for tailored garments. Coat and jacket patterns are made to fit over other garments, so purchase your usual size. Because wool or other tailoring fabrics can be costly, it’s best to test-fit the garment pattern before cutting your fashion fabric. Tissue-fit or make a muslin and note any fitting changes needed on the final pattern.
- Follow the pattern guidesheet for cutting, but if the layout allows, cut 1” seam allowances on side and under the arm seams, just to allow for adjustment if needed to accommodate thicker fabric. Be sure to use the “with nap” layout to avoid obvious shading on the finished garment. If the fabric is very thick, cut out single-layer pieces, remembering to flip the pattern for a right and left side.
- Transfer all markings to the cut pieces using chalk, removable marker or thread tailor tacks. If you can’t tell the right from the wrong side, mark them for consistency.
- If your wool is lightweight, staystitch any bias and curved edges to avoid them stretching during handling. This line of regular-length stitching is done just barely inside the seam line so it doesn’t show in the finished garment.
Pressing Matters
- You’ll be doing a lot of pressing as you construct a tailored garment, as that’s part of the shaping process. Use steam to help shape the wool—either the steam setting on your iron, or a dry iron with a damp press cloth. Do not press wool with a dry iron alone. Test-press some scraps to see which works best for your fabric, as some wools can develop an unsightly shine if pressed directly with the iron.
- Because of the bulk, it’s best to press seams open, unless the garment style dictates pressing to one side and topstitching to make a sporty mock flat-felled seam.
~Linda Griepentrog
Linda is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and two dogs, Yohnuh and Abby. Contact her at .
Stash Busting: Take UFO’s Off the Radar
We all have a stash of projects in drawers, on shelves and in containers that have been started but never quite crossed the finish line. ASG member, Hope Wright, had a stash of UFO’s and a plan and now she’s sharing her tips and hints on how an online challenge in 2011 inspired her to finish an unprecedented 926 projects. (Yes, 926!)
Here’s Hope’s story…
Sort, Sort, Sort
I first started in 2011 during a challenge from an on-line group. Attempting to use only “from my stash,” I first gathered all the projects I had already started in to one place. I then sorted them by estimating how long it would take to finish each project. The first group were projects that would take just an hour to finish. Next came projects that could be done in an evening after work. Finally, projects I could do on a Saturday.
By using this system, I have completed 926 projects to date. I do add projects to my stash, but I try very hard to finish everything I think I can complete in an evening or on a Saturday morning. Longer projects still await!
Organize
Organize your kits, stash and tools in some way that makes sense to you, or at least gather them together so you can find them. For me, I have most of my tools and gadgets in a bookcase in my sewing room.
Try organizing your projects by type of material, where to work, time it will take to complete, color, expense, etc. Group projects that are repetitive. For example, cut out several projects in one session and make your own kits.
Get rid of anything you have no desire or need to finish. Take that group and consider if someone else may want it for their UFO stash. I’ve given several boxes of supplies to a school art program. Remember, it’s also okay to just put it in the trash!
Make Three Lists
Projects to get to this coming year.
- Projects, ideas, and stash in storage. This includes actual kits you have and ideas to do “someday” – or as one person said, her Craft Retirement Account.
- Projects completed. It is great to see what you’ve accomplished!
Categorize Active Projects
An important function for me is that I always actively work on 3 projects at any one time, with 3 to 9 more in line so I never have “down” time. Everything else remains stored away; anything more than 12 is simply too overwhelming. My active projects are categorized by where I can do them:
- Something to do at home, but can’t be done in front of the TV (such as using the cutting table or sewing machine). These are often things I do on the weekend rather than after work. Many projects then move to the next category.
- Something I can work on while listening to TV, such as pressing, hand sewing, or embroidery. Some projects then move to the next category.
- Something I can do in a waiting room, meeting, or traveling. These projects are easy to stop at any point, small to pack or carry, do not require extra light, magnification, or a table to spread out. I always have a project in a tote bag with all supplies to be able to work on it. I nearly always keep one in the car.
Projects with Deadlines
I work on anything with a deadline first, even if I have a lot of time. It is much better to finish something six months early than a day late. Between all my clubs and church, I do a dozen or more programs and deadline projects during a year. I put them first on my “to do” list on January 1 and indicate the deadline.
Finally, I also look at promises already made before I agree to do something more. I try to finish Christmas gifts before Thanksgiving week so I can enjoy holiday parties. Since most groups have their programs planned a year at a time, I know I will start working in December on programs for the coming year. I will seldom start anything else until they are done. Find what works for you to take those UFO’s off your radar!
~© Hope Wright, ASG Member
Creative Fixes
OOOPS!
Much as we love sewing, things don’t always go as planned. Sometimes an accident happens in the process from cutting to finishing, or even at the first wearing. Rather than using any of ‘those’ words, it’s a lot more fun to try to figure out a creative solution to the problem that looks like it was intentional. Let’s look at three of those possible occurrences:
Not enough fabric
We’ve all done it, thinking we can outsmart the pattern company requirements. Maybe we’re trying to use up fabric in our stashes, but somehow there’s not quite enough. Two creative solutions are pattern mixing and color blocking. Instead of cutting all the garment pieces from the same fabric, mix them up for fun.
Make it seem like there was a plan for your artsy touch. Look for prints in similar colors and/or motifs. Fabric manufacturers often make coordinated groupings that are made to go together. Choose fabrics with similar motifs—for example, garden or flower prints. Select prints of similar scale and contrasts. Solids are always a good go-to tie-together—pick a color found in the print(s) or go with one directly across the color wheel for a bolder look. Just remember when cutting, you’ll need a left and right half to the garment and it’s easy to forget to flip the pattern piece over.
Errant scissor cuts
Let’s just say you accidentally cut a hole in your garment while trimming a seam allowance. Who hasn’t done that at some point in their sewing life? The creative solution: Add something to cover it—like a tab. But before you do, stabilize the erroneously cut edges by ironing a piece of fusible interfacing on the wrong side of the snip to hold the edges together and keep them from fraying. No one will be the wiser to your solution.
Stain game
It never fails, the first time your grandchild wears a garment you’ve painstakingly made, they spill something on the front of it and voilà—permanent stains, despite your best efforts. A fun solution: Use embroidered patches to cover the stains and add some fun. Embroider them yourself or purchase them from the notions wall at your favorite fabric store. Use invisible thread and sew around the edges and listen as people say, “Isn’t that a cute shirt? I love the patches.” We’ll never tell.
So, when something doesn’t quite go as planned, take a deep breath, don’t panic and find a sewing friend to help you come up with a creative resolution. Sometimes the solution is more fun than the original plan.
~Linda Griepentrog
Linda is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and two dogs, Yohnuh and Abby. Contact her at .
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